Animated People: Erik Timmerman

I was in my early twenties during my time at R.I.T. and my personality had the usual mix of maturity and immaturity that most young men possess during that age. As I've mentioned before, from time to time back then, and in his own inimitable way, Erik would help guide me into manhood -- this particular time by pointing out some of my ingrained behaviors that were counter-productive to navigating polite society.

Case in point: being someone who was a keen observer of human behavior, Erik once mentioned that I looked like I had been in prison -- this based on the fact that I gave off no body language and would do things like looking both ways before entering a room.

I responded that when you spend your childhood getting bullied at school and abused at home, you develop some self-preservation habits -- such as checking the room before you enter so you don't get jumped by a schoolyard bully or reducing your body language and facial expressions to the absolute minimum so as not to attract attention to yourself and piss off an already angry parent.

But it wasn't until Erik pointed out these behaviors that I really put some serious thought into how people might be perceiving me. It could have been that I had reached a level of emotional maturity that I could accept hearing that observation from someone without taking offense or getting defensive. Or perhaps it was how Erik said it... or maybe it was just because he was a third-party observer who had no malice towards me and was, in his own unique way, engaging in a simple act of kindness.

Regardless, I had been engaging in those defensive behaviors for so many years that they had become second nature to me.

Moving silently was one of those behaviors.

While at R.I.T., I worked at the now defunct R.I.T. Research Corporation. And unfortunately, one time I scared one of my supervisors so badly that he yelled out when he saw me standing there in his doorway. Course, Rich always had a great sense of humor about such things, so after composing himself, and I apologized for startling him, he quipped that I should wear a bell around my neck when we were working late in the office so everyone could hear me coming. He laughed, I laughed, and then I asked him my work-related question.

But afterwards, Erik's words would come back to me and I made it a point to take his observation to heart. No, I didn't start wearing a bell or anything silly like that, but I did make an effort to smile a little more, lurk a little less, and lighten up a little so those hard lessons from my past wouldn't control my future.

Twenty-some years later, I'm still somewhat guarded. I still look pretty intense when I'm walking around, lost in my own thoughts and not paying attention to how I look while I'm thinking. But instead of pausing at doorways and looking both ways before entering, I pause and look around in order to see if someone needs the door held open for them. And when they do, I'm always somewhat bemused when I observe how surprised people react to that simple act of kindness.

Photograph from Andrew Davidhazy's Retired Professors and past colleagues from the School of Photographic Arts and Sciences at RIT webpage.

A Year of Animation: ASIFA International Animation Day 2018

Well, since last month I (re)created four animations from grad school for June's "Year of Animation", this month I took it a little easy and participated in an Ani-Jam.

Image halfway through the morph cycle

ASIFA Central's intrepid President, Brad Yarhouse, is in charge of ASIFA's International Animation Day, so he proposed that members of ASIFA Central participate in an Ani-Jam centered around the IAD poster. Everyone was given two images from the final poster and instructed to create a transition from the first image to the second. So, your first image will be someone else's second image and your second image is someone else's first, and so on. When completed, the animation will transition from one image to the other in a continuous loop.

In my case, I'm animating a transition from the first image in the poster to the second image.

However, given how much time my grad school archival project is taking, I decided to do a simple morph for my two frames. Transitioning from a character with two eyes to a character with one eye was a bit of a challenge and in the end, I chose to set my control points so that they were focused on specific facial characteristics so that the morph would flow much more smoothly: like the outer ends of the two pupils on one character linked together so they'd match up with the one pupil on the other character. Or the bead of sweat morphing into the glare of light on the Cyclops' eye.

What I am most proud of, though, is how well the noses morphed from one to another. That coupled with the above really draws the focus away from the flaws in the overall animation (like the fade-in of the Cyclops' large green-colored iris). I originally wanted to do this animation freehand on animation bond, but the time and effort required for this project was a little more than I was willing to commit.

You can see the completed animation this Fall when it's debuted by ASIFA Central. I'll post links in my ASIFA Central International Animation Day wrap-up blog post so you can all watch the whole Ani-Jam online.

But, until then, here's a facial morph I put together just for fun.

* * *

Animated Thoughts: Adventures in Animation

Life has been a mixed bag for me. I grew up bullied and abused. My weight has always been an issue. I've never been very lucky at love. And I feel like I've learned how to manage my money far too late in life to do me much good. But I'm willing to bet that if you conducted a survey of people and got honest answers out of them, nine out of ten would say similar things about their own lives. I believe that there's a tendency in humans to exist in a bubble whereby we see all of our experiences--good, bad and indifferent--as unique to us and us alone simply by virtue of the fact that we're the ones experiencing them at the time. And if that experience is negative, it carries far more weight than it otherwise would given our limited perspective of the experience--thus leading us to avoid similar experiences in the future where the negative result "could" occur.

I also believe that this unfortunate tendency causes us to miss out on those opportunities where God attempts to remind us of how blessed our lives really are.

Case in point: my nephew graduated from High School the first weekend in June. Which meant for me, a trip out to Boston in order to see him walk with his class. Given how hectic these trips out to the East Coast usually are, my natural reaction is to try to avoid them. It's pretty easy for me to get overwhelmed by the sensory overload caused by so many people making so much auditory and visual noise in such a confined space--so much so that it's hard for me to generate the emotional energy necessary in making such a trip. I usually come up with some excuse as to why I cannot make the event and offer my regrets for missing out. What can I say, I'm better in smaller groups.

But... he is my nephew, and I do love the lad, so off to Boston I went.



Factor in traffic and time spent crossing
the borders and it's about 13 hours one way.

My parents and my brother got some really affordable flights out there and back. Me? I made the 26 hour round trip drive to and from Boston.

What would make me choose a slightly more expensive 26 hour drive as opposed to a pair of more affordable two hour flights, you ask?

Well, I spent a day in Rochester, New York.

I was thinking of going back to R.I.T. for homecoming this year in order to do a special event outside of the Institute's yearly offerings for alumni and visiting parents. But David's graduation meant that I could have this singular experience five months sooner.

Some background is necessary.

Lotte Reiniger

German animator Lotte Reiniger created her first animated film: Das Ornament des verliebten Herzens (the Ornament of the Lovestruck Heart) in the Fall of 1919. First shown publicly on December 12, 1919, her film was a hit with viewers and soon was shown all around the world. Unfortunately, this black and white silent film would be lost to the horrors of World War II, along with many of her other early animated films. That is, until 2006 when a copy was found at the George Eastman Museum in Rochester, New York. Realizing what they had, Lotte's film was slated for preservation and eventually a copy was made available to the viewing public.

That morning on the second of May, while we were surfing the Internet looking at flight times and prices, my mother reminded me of the fact that I didn't have to wait until October to see Lotte's film. I had already done all the legwork, so all that was left was to make a phone call to the curator and set up an appointment. Four weeks later, I was there, sitting in a dark room in front of a viewing station, watching an almost forgotten jewel of animation history.



Frame from Ornament of the Lovestruck Heart, Lotte Reiniger, 1919
Courtesy George Eastman Museum

I grew up watching cartoons. As a child, we had cable t.v. back in the '70's so I got to watch the first wave of Japanese animation hit the shores of the United States. I enjoyed the singular experience that was Saturday Morning cartoons -- replete with reruns of classic 1940's and '50's animations along with the then current crop of Hanna Barbara shows from the '60's and '70's. Through vacations to Toronto with my parents, I was exposed to the animated films of the National Film Board of Canada. And since my parents were fans of Monty Python, I never missed a Terry Gilliam cut-out animation.

But I didn't see the films of Lotte Reiniger until much later in life. Though I had heard of the Adventures of Prince Achmed and had seen pictures of silhouette animation, it wouldn't be until the 2000's when I started watching Lotte's films -- starting with Achmed. Up until then, all my knowledge about Lotte Reiniger had been academic, things that I had read from books here and there. I attribute my newfound interest in the works of Lotte Reiniger to a TAIS workshop back in 2013 where Lynn Dana Wilton showed us clips from Achmed and explained Lotte's process in puppet design and filmmaking.

Frame from Ornament of the Lovestruck Heart, Lotte Reiniger, 1919
Courtesy George Eastman Museum

Since then, I've marveled at the exploits of Lotte's silhouette characters and even moreso at the life she lived. If you haven't already, I highly recommend reading the many resources available about Lotte's life, times, and animation process. Some of my favorites are:

1. Shadow Theaters and Shadow Films by Lotte Reiniger,
2. Lotte Reiniger: Pioneer of Film Animation, by Whitney Grace,
3. The Art of Lotte Reiniger video documentary by Primrose Productions (part one is on YouTube), and
4. The restored version of the Adventures of Prince Achmed (it has a documentary about Lotte Reiniger as part of the special features).

As I'm currently working on a silhouette animated film as my entry into next year's Ottawa International Animation Festival, I am in negotiations with the Toronto Animated Image Society to animate part of the film this Fall using the "trick table" that Lotte used to make one of her films in Canada -- a workstation that I had the pleasure of examining and animating on earlier this year.

Lotte's "trick table" located at the TAIS offices in Toronto

And that speaks to the point of this blog post. It's so easy to let ourselves get wrapped up in the minutae of our lives with all its trials and tribulations that we miss out on the adventures that are waiting for us right in our backyard. I'm very fortunate that my meandering path through life has afforded me the opportunities to travel to the George Eastman Museum and marvel at a film that was, at that time, the cutting edge of animated film.

In a blog post earlier this year, I made the somewhat casual remark that 'life is full of adventures... if you know where to look.' Nowhere was that statement truer than when I drove to Toronto to see (and animate on) Lotte's trick table back in March. Or when I stopped by the George Eastman Museum in Rochester on my way to Boston in order to watch the only known copy of Lotte Reiniger's first ever silhouette animated film.

So to amend my previous statement: Life is full of adventures, and hidden blessings, if you know where to look and if you leave yourself open to them.

*  *  *