2010 was a good year for Smudge Animation, a very busy year, but a good year.
The year opened big with a new project for Thistle Threads/FabricWorks out in Boston. Building upon the 18th century goldwork project from 2008, we started a series of web classes designed to teach historic needlework techniques which would require me to perform both website development as well as animate twenty-eight silk and gold stitches using Adobe Flash.
In March, I had the pleasure of listening to my sister give a presentation at R.I.T., my alma mater. While driving Tricia around Rochester, hearing her speak, and showing her the initial animations that I created for the goldwork class was an enjoyable experience, the high point of that weekend was having the chance to spend an evening with my former professors – a tradition I hope I can keep to as often as possible.
April found me returning to Toronto and the community I have grown to love and be a part of. Having spent the past two years attending their workshops, I ended up becoming a full-fledged member of the Toronto Animated Image Society and followed it up with a workshop on Pixilation with animator, author, and instructor Bryce Hallett.
May saw me in England. Working with Thistle Threads, I took photographs and helped scout out museums for a tour that Dr. Nguyen was giving in September. Had a day off during those two weeks and spent the entire day in Paris. The tour was very nice, I loved the city and I understand why people save up their entire lives to take a trip there, but the Musee d’Orsay was really the best reason for me to be there. I have loved Monet and Renoir's paintings ever since high school, so to be inches away from the originals, close enough to examine the angle of the brushstrokes, well, it was as close to a religious experience as I have ever been.
In June, it was back to Toronto for the annual TAIS summer screening where I had a short film entered in their SummerJam. Then back home to continue working on the goldwork animations. In July, I spent some serious time in Washington D.C. photographing rocks and gemstones and butterflies at the Smithsonian--basically working on my photo reference library. Then I skipped back to Toronto to see the Best of the Ottawa 2009 festival. Toronto was entertaining, the films at the screening were decidedly less so.
August saw me driving back to Indianapolis for GenCon. I took some seminars to work on my painting skills, touched base with a couple clients (and delivered a CD catalog product), then a took quick walk over to the Indianapolis Zoo for some quality time in their butterfly house for the continuing work on my photo library. Then it was back to Toronto where I spent half a day taking care of my nephews while Dr. Nguyen worked with the curators at the R.O.M. The rest of the time was spent working on the Historical Needlework classes with Tricia. Thank you wireless internet access in the hotel room! Am confounded how much more efficient Trish and I are when we're working on this stuff in the same room at the same time. Might have to reconsider moving to Boston.
September was a truly busy month. I worked with Tricia to produce several videos for the Jacket Tour of England and Scotland while continuing with the web development and animation for her classes. The videos would be shown on the two tour buses while the attendees were on their way to the museums. It was some conversion to PAL work on a couple of her previous videos but the rest was putting together a lot of pan-and-scan slideshows. Given that Tricia took the women on the tour into the parts of museums that most will never see, many of them described the tour as a 'once-in-a-lifetime' experience.
As Fall turned to Winter, things started to ease up. I took my bi-yearly trip to the Ottawa International Animation Festival and my yearly trip to the Waterloo Festival for Animated Cinema. November was a good month for animated feature films as I also go to run down to the Detroit Film Theatre to see “My Dog Tulip.”
When I look back at the year, I see a lot of work in the historical side of animation, but not a lot on the forensic side or teaching. Due to the recession, there just weren't a lot of forensic animations to do. And I was just too busy to teach. I wanted to kick start my 'Get Animated' program but it simply didn't happen. It seems that when one area is busy, the other sides of the equation are slow. It's good for my blood pressure, but leaves me feeling like I'm falling behind in the others. For 2011, I'd like to see the scales balance out somewhat--do some more teaching and practice more forensic animation. I'd like to achieve some balance in the new year.