In order to get the much needed pick-me-up that would carry me to the first few days of Spring, I engaged in my time-honored tradition of appreciating some art.
As fortune would have it, the Detroit Film Theater was showing the English-dub version of Ruben Brandt, Collector. I had already seen this visually engaging film at TAAFI a month earlier, but I leapt at an opportunity to see it again. At TAAFI, they showed the English-subtitled version. And while I don't shy away from watching films in their original language, a film like 'Ruben Brandt' with all it's surreal visual imagery (and artistic Easter eggs) needs to be seen in a format that allows you to take it all in without having to split your attention between the film and the subtitles.
|Still Life with Yellow Apple, 1858|
John F. Francis
However, before the film, I decided to spend the better part of the afternoon looking at paintings. After observing the watercolors in the newly refurbished Asian wing, I headed upstairs to spend time with the DIA's lone Monet painting. Sadly, 'Rounded Flower Bed' (formerly known as 'Gladioli') wasn't on exhibition, having been loaned out to another museum for the next six months, but it did offer me the opportunity to do a little exploring of other works of art. I soon found myself tracking down one still-life painting after another with the common theme of 'food'.
|The Sinfonia (Family Portrait), 1671|
Michiel van Musscher
Other than an appreciation of the paintings themselves, much of what I was looking for with this little exercise were instances of near-realism within these paintings--like the use of color to create the illusion of three dimensions within a two-dimensional image.
A week later, I made a day trip over to the West side of Michigan, starting with Meijer Gardens up in Grand Rapids for their yearly exhibition of butterflies. I'll be honest, I wasn't feeling it. After struggling to navigate hordes of toddlers and crotchety older people for a half-hour in order get a decent photo, I switched tactics. Instead of standing over a butterfly, patiently waiting for it to spread its wings only for the insect to be scared away by a little kid or hear a nasty remark from an older person who wanted to get by me, I started looking for the butterflies that were simply resting. If you've ever been to a butterfly conservatory, you know that this pose is far more common (as seen in the picture below).
The pressure off, I left Meijer Gardens about an hour later with some beautiful photos of butterflies and plants that I was really happy with.
|No idea what this is, but it looks like it could start|
singing and dancing at any minute!
After a quick lunch at a Chinese restaurant by the gardens, I made my way down to the Riveria Theater down in Three Rivers for a screening of the documentary 'Loving Vincent, the Impossible Dream'.
Loving Vincent is a very captivating film and watching the documentary provided a very revealing look into the making of this singular feat of animation. It is the "world's first fully painted feature film", after all. And while I did find learning the background of the directors and their struggle to get this film financed and into theaters entertaining enough, I was honestly more interested in the nuts-and-bolts of the production.
For example: I found the transformation of an empty warehouse into an animation studio filled with curtain shrouded cubicles containing built-in projection systems for rotoscoping with oil paint to be far more fascinating.
What also piqued my interest was the process that they used to weed out all the experienced oil painters that they needed to create the 65,000 frames of film as well as how the painters were apparently paid per painting. If I understand correctly, on the production, the more paintings you produced, the more you got paid. No small feat when you look at the complexity of the images in the trailer below:
Loving Vincent is now available for viewing on various streaming services (like Amazon Prime, Hulu and YouTube), as well as available on DVD and BluRay. So if you have an afternoon, it is highly recommended viewing.
|My cousin Circe dressed as Ruby Rose|
from the animated series: RWBY.
There were rumblings of declining quality, increasing prices, and financial instability over the past few years, but I took them all in stride as I had been attending my local con since it's inception in 2011.
This year, the con had scaled back to a fraction of its original size as the owners fulfilled the final year of their contract with the venue.
The mood that weekend alternated between festive and somber, depending on who you asked.
Don't get me wrong, I made a decision to have a great time no matter what, and I was not disappointed. However, my worst fears were realized when the convention owner went on social media with the announcement that they were throwing in the towel and ending the con for good--leaving Lansing with one less venue for animation and one less place where I felt like I belonged.
Shuto will always hold a special place in my heart as they were the first venue that provided me space and equipment to do presentations and screenings on the history of women animators. Even though they were a Japanese animation and culture con, they saw the value in my work and for that, I will be forever grateful.
Regardless, it "is" times like this when I wish I lived in a bigger city with more opportunities to be social and engage in activities that interest me. Such is life.
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