I also believe that this unfortunate tendency causes us to miss out on those opportunities where God attempts to remind us of how blessed our lives really are.
Case in point: my nephew graduated from High School the first weekend in June. Which meant for me, a trip out to Boston in order to see him walk with his class. Given how hectic these trips out to the East Coast usually are, my natural reaction is to try to avoid them. It's pretty easy for me to get overwhelmed by the sensory overload caused by so many people making so much auditory and visual noise in such a confined space--so much so that it's hard for me to generate the emotional energy necessary in making such a trip. I usually come up with some excuse as to why I cannot make the event and offer my regrets for missing out. What can I say, I'm better in smaller groups.
But... he is my nephew, and I do love the lad, so off to Boston I went.
Factor in traffic and time spent crossing the borders and it's about 13 hours one way. |
What would make me choose a slightly more expensive 26 hour drive as opposed to a pair of more affordable two hour flights, you ask?
Well, I spent a day in Rochester, New York.
I was thinking of going back to R.I.T. for homecoming this year in order to do a special event outside of the Institute's yearly offerings for alumni and visiting parents. But David's graduation meant that I could have this singular experience five months sooner.
Some background is necessary.
Lotte Reiniger |
That morning on the second of May, while we were surfing the Internet looking at flight times and prices, my mother reminded me of the fact that I didn't have to wait until October to see Lotte's film. I had already done all the legwork, so all that was left was to make a phone call to the curator and set up an appointment. Four weeks later, I was there, sitting in a dark room in front of a viewing station, watching an almost forgotten jewel of animation history.
Frame from Ornament of the Lovestruck Heart, Lotte Reiniger, 1919 Courtesy George Eastman Museum |
I grew up watching cartoons. As a child, we had cable t.v. back in the '70's so I got to watch the first wave of Japanese animation hit the shores of the United States. I enjoyed the singular experience that was Saturday Morning cartoons -- replete with reruns of classic 1940's and '50's animations along with the then current crop of Hanna Barbara shows from the '60's and '70's. Through vacations to Toronto with my parents, I was exposed to the animated films of the National Film Board of Canada. And since my parents were fans of Monty Python, I never missed a Terry Gilliam cut-out animation.
But I didn't see the films of Lotte Reiniger until much later in life. Though I had heard of the Adventures of Prince Achmed and had seen pictures of silhouette animation, it wouldn't be until the 2000's when I started watching Lotte's films -- starting with Achmed. Up until then, all my knowledge about Lotte Reiniger had been academic, things that I had read from books here and there. I attribute my newfound interest in the works of Lotte Reiniger to a TAIS workshop back in 2013 where Lynn Dana Wilton showed us clips from Achmed and explained Lotte's process in puppet design and filmmaking.
Frame from Ornament of the Lovestruck Heart, Lotte Reiniger, 1919 Courtesy George Eastman Museum |
1. Shadow Theaters and Shadow Films by Lotte Reiniger,
2. Lotte Reiniger: Pioneer of Film Animation, by Whitney Grace,
3. The Art of Lotte Reiniger video documentary by Primrose Productions (part one is on YouTube), and
4. The restored version of the Adventures of Prince Achmed (it has a documentary about Lotte Reiniger as part of the special features).
As I'm currently working on a silhouette animated film as my entry into next year's Ottawa International Animation Festival, I am in negotiations with the Toronto Animated Image Society to animate part of the film this Fall using the "trick table" that Lotte used to make one of her films in Canada -- a workstation that I had the pleasure of examining and animating on earlier this year.
Lotte's "trick table" located at the TAIS offices in Toronto |
And that speaks to the point of this blog post. It's so easy to let ourselves get wrapped up in the minutae of our lives with all its trials and tribulations that we miss out on the adventures that are waiting for us right in our backyard. I'm very fortunate that my meandering path through life has afforded me the opportunities to travel to the George Eastman Museum and marvel at a film that was, at that time, the cutting edge of animated film.
In a blog post earlier this year, I made the somewhat casual remark that 'life is full of adventures... if you know where to look.' Nowhere was that statement truer than when I drove to Toronto to see (and animate on) Lotte's trick table back in March. Or when I stopped by the George Eastman Museum in Rochester on my way to Boston in order to watch the only known copy of Lotte Reiniger's first ever silhouette animated film.
So to amend my previous statement: Life is full of adventures, and hidden blessings, if you know where to look and if you leave yourself open to them.
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