Animated Thoughts: The best laid plans...

Normally this time of year would have me uploading lots of photographs of butterflies from the Frederik Meijer Gardens' Spring exhibition: Butterflies Are Blooming.

Every Spring, I usually package a trip up to Grand Rapids where I meet up with my accountant to either drop off or pick up my tax information. Then I'd head over to Meijer Gardens and spend a couple hours taking photographs of butterflies and flowers.

For obvious reasons, that didn't happen this year.

But, as the date for filing personal and business taxes was pushed back to July, I took the opportunity to catch up on other work before I finished itemizing the rest of my expenses and organizing my receipts. The fateful date arrived and I drove out to Grand Rapids. The meeting was three hours long, since Dave is also helping me plan for retirement. But when I left his office, the weather was still sunny and gorgeous. And although I knew they were closed, I couldn't resist making a trip out to Spring Lake to visit the District Library.

As animator Winsor McCay spent many a formative year living in Spring Lake, Michigan, the Spring Lake District Library has a historical marker (and a sizable collection of his works) to commemorate  the life and works of McCay. And while I would have liked to explore the McCay collection, it was nice to be out in the sunny weather, exploring those little bits of animation history in my "backyard".

Yes, there's more text on the other side,
but you'll have to visit the Library to see that.

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Animated Thoughts: ART 384 - Animation History

Flipbooks used in class

Well, my animation history class is winding down for the semester. It's been a roller-coaster as we moved from in-person classes to online learning due to the lockdown. But regardless of the modality, one thing that I like about teaching is that I invariably end up learning more about my subject than I did before. For example: I openly admit that my knowledge of flicker films was pretty weak. But this was one of those interesting facets of animation that I just had to dig into a little bit deeper as I wrote my lectures and explored new films to show my class.

1948 DeJUR 8 mm movie camera
from my private collection

Another one was the refreshing experience of reading about films that Maureen included in her book--films which I had seen at festivals or discovered on my own.

 But I have to say that the most fulfilling experience that I had while teaching was showing clips from the 1981 Heavy Metal movie (the B-17 sequence in particular) and having a student come up to me after class, telling me how amazed he was at what I had shown him that day, and that he was going to track down and watch Heavy Metal that weekend. There's just something special about inspiring someone to learn about a new facet of animation on their own.

I'd give this experience an 'A'.

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Adventures in (Armchair) Historical Research

Cover for Das Loch im Vorhang

One of the direct benefits of the Internet is the ability for researchers like myself to track down rare material in other countries. Not only is there a plethora of films from other countries being uploaded to sites like YouTube and Vimeo, but sites like Google Translate lower the communication barrier with their tools for translating foreign languages and in some cases, the ability to translate entire websites into English on the fly.

An example occurred earlier this year, when I was looking through my collection of works that involved Lotte Reiniger. Among the books I've located in the past were an original German copy of Venus in Seide , which featured Lotte's silhouette illustrations, or an old library copy of Walking Shadows from a bookseller in England -- Walking Shadows being a hardback essay written about Lotte by Eric Walter White, one of her former assistants. This essay is particularly interesting as it gives details into Lotte's animation process – along with a few plates with images of models that she created but never used in her films.

Well, while I was looking at the short list of publications that Lotte directly worked with, one that has eluded me for years piqued my interest. A quick visit to the normal sites that sold international books, such as Abe Books or the German antiquarian who sold me Venus in Seide, proved fruitless. Then, for some reason, I decided to switch gears. A quick search on the German-language version of Amazon.com, and there it was: a copy of Helmuth Krüger's Das Loch Im Vorhang (English translation: The Hole in the Curtain). It’s the only other book, that I am aware of, for which Lotte created silhouette illustrations (there may be more, I'm just not aware of any other than the aforementioned two). However, purchasing from Amazon.de proved fruitless. Google Translate wouldn't work on the Amazon website, and I couldn't figure out how to a) select international shipping or b) ask the bookseller if they
even would ship to America.

Illustration from 'Flucht in die Rulissen'
English translation: 'Escape to the backdrop'

After thinking about it for a day, I went back to Amazon and puzzled out the bookseller's name then tracked down their website. Lo and behold, there it was, listed on their website. And while struggling to figure out the German website, I made the welcome discovery that their shopping cart had an English-language feature. A month later, I had a very weathered copy of this book from 1922 sitting on my desk, and a smile across my face as I tried to translate the handwritten dedication that the author -- Helmuth Krüger -- had written to someone named Rolf. The images included in this article are taken of Lotte's silhouette illustrations to give readers an idea of how detailed her work was back then. For those interested in looking at all the illustrations in this book, a copy of Das Loch im Vorhang was scanned and posted on the Deutsche National Bibliothek website, which is accessible at the following link: https://portal.dnb.de/bookviewer/view/1128443937.

Ain't modern life grand?

'Sumurûn' illustration on page 89

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